Shrumatica Guitar Guide

Why Left Handed Guitars?

We all know that there are less left handed people than right handed people in the world.

Analysts calculate that 1 in 10 human beings are left-handed.

This means the total amount of left handers living in the world is over 600 million.

According to Scientific estimates, there will be a billion left-handed people living on planet Earth by 2020.

Another interesting fact is that the number of left handed people born in 2005 were double those born in 1990.

So while the left handed population appears to be multiplying, there is a contrast of trend happening in another area: availability of left handed musical instruments, specifically left handed guitars.

This is not a new situation however, but it is has changed for the worse in the 2000′s.

Left Hand guitars have always been in short supply, but to be fair, many major manufacturers have tried to accommodate left handed players by providing at least a basic range of lefty guitars. Probably if there had never been a Kurt Cobain, or a Paul McCartney or a Jimi Hendrix, or an Elliot Easton, everyone today would be playing right handed guitar regardless of what hand they used to write with!

What is alarming is this. A recent survey of left-handed school children concerning left handed guitars showed a staggering group view that playing left handed guitar was “too hard” or “not worth the trouble” and hence out of defeat, the majority of these children felt obliged to deny any natural inclination they have toward playing left-handed guitar and instead become good little robots and learn to play guitar right handed, like “everyone else.”

I suspect that these survey results probably do not differ from survey results that might have been obtained in the 1990s, or 1970s or 1960s.

Strangely, the 1980′s was the only era when there appeared to be a “better selection” of left handed guitars than prior and recent times.

Left Handed guitarists wanting left-handed guitars and left handed bass guitars that are otherwise not available in left hand by original manufacturers do have a new choice: Gaskell Guitars, the only left handed guitar manufacturer in the world that makes left handed guitars and basses in the models that are not available in left hand elsewhere.

Left handed guitarists – you need to support those who support you. And those people are not the big money-motivated guitar brands that don’t bother to make left handed guitars anymore or never did. Turn your back on those people.

About the Author

Gaskell Guitars is a guitar manufacturer in Australia that makes left handed guitars and left-handed basses only. ( http://www.gaskellguitars.com )

Which Guitar brand is the best?

Acu Rite Indoor Humidity Monitor $11.88 Acurite Digital Thermometer and Hygrometer for all hatching eggs…

Peaceful Hippy Garden Gnome W/ Guitar & Bellbottom by Winston Brands $14.99 Kick off a happening with this guitar strummin groovster spreadin peace, love and flower-power in your yard. Bell-bottomed gnome will bring back the memories for all who remember the summer of love. Hand-painted resin. 12 1/4″H…….

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The Guitar Of Lightnin’ Hopkins $19.84 When you hear someone say “Texas Blues Guitar” you may immediately think of Stevie Ray and Jimmie Vaughn or maybe Freddie King. The invisible presence, buried deep in every one of their guitar riffs, is the true king of Texas blues, Lightnin’ Hopkins. Lightnin’, who knew Blind Lemon Jefferson as a child, is Jimmie Vaughn’s favorite guitarist. Offered here are all the basics, many of the secrets an…

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Brand New Bass Guitar $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever.

Brand New $11.18 After a six-year break, Gary Stewart returned to recording for the Hightone label in Oakland, CA. Other than rocking a bit harder — courtesy of guitar players Dale Sellers on lead and Allman Brother Warren Haynes on slide — Stewart is not a shadow of his former self, but himself, period: namely, a bad-assed honky tonk singer/songwriter who delivers drinking songs better than anyone except Merle Haggard. And like the days of yore when albums like Out of Hand, Your Place or Mine, and Gary were released on RCA, Brand New is a collection of bar-slammin’ good-time rowdy honky tonk songs and broken, screwed-up love songs seen from the bottom of a glass. “Brand New Whiskey” feels like a Stewart rewrite of Guy Clark’s “Take Me to a Barroom,” and is every bit as good; “I Owe It All to My Heart” is a sad country song in the best sense of the word. “Lucretia” is a rocker with echoes of Derek & the Dominos’ “Layla,” done pub-style. Haynes is especially effective with his deliberate guitar histrionics. “Rainin’ Rainin’ Rainin’” is classic Gary Stewart, high, lonesome, the morning after, and recounting the tragedy to whoever will listen accompanied by a barroom piano and cut-time rhythm. “Looking for Some Brand New Stuff” and “Son of a Honky Tonk Woman” come out of the Jerry Lee Lewis fake book, with all the passion, psychosis, and dark piano-pumping fury. Ah, the classic country music; “I Get Drunk” is a track George Jones would have been proud to record first, but Stewart’s delivery is actually more believable. The set ends with “Murdered By Love,” a romper-stomper blues jam with Haynes and Sellers tearing each other up and Stewart singing his ass off. Sending the listener into an oblivion of drink, lost love, and regret — all recipes for a good night of wild partying you’ll regret the next day. A fine return. ~ Thom Jurek, Rovi Performers: Buddy Cannon – Vocals (Background); Carla Hunter – Vocals (Background); Ken Bell – Guitar (Rhythm); Kenny Bell – Guitar (Rhythm); Dale Dellers – Guitar (Electric); Dale Sellers – Guitar (Electric); David Briggs – Piano; Jerry Kroon – Drums; Larry Paxton – Bass;

Our Brand $11.98 The Hillbilly Hellcats play a heavy rockabilly that is analogous to Reverend Horton Heat. Indeed, each of their CDs (their first was Rev It Up with Taz) were recorded with ex-drummer of that group, Taz Bentley. “Road Rage” is a good example of this heavy rockabilly, while “Everybody Was Drinkin’ Martinis But Me” shows another side of the group, one that is humorous, strident and classically hillbilly rock. White trash and whiskey themes are the staples to their short but enjoyable compositions. Our Brand is original music that is consistently upbeat, true to rockabilly sound ideals and naturally enjoyable. ~ Tom Schulte, Rovi Performers: Lance Romance – Banjo, Vocals; Chuck Hughes – Vocals, Guitar; Taz Bentley – Drums

Guitar $18.4 Guitar

A Mark*A Mission*A Brand*A Scar $19.95 By Dashboard Confessional. For guitar and voice. Play It Like It Is (Authentic note-for-note transcriptions). Alternative Rock and Pop Rock. Difficulty: medium. Guitar tablature songbook. Vocal melody, lyrics, harmony part, standard guitar notation, guitar tablature, guitar tab glossary, chord names, guitar chord diagrams and group biography. 86 pages. Published by Cherry Lane Music

Guitar Pitch Pipe Tuner $6.99 Features:Brand new and unused Small and compact of this Guitar Pitch Tuner No batteries neededGuitar Tuner with 6 tones – one for each string: E, A, D, G, B, EThis Guitar Accessory helps your ear become more accustomed to the noteThis Pipe Tuner Guitar suitable for acoustic and electric guitarists

eMedia EG07097 Guitar Accessory Kit $34.95 “eMedia Guitar Accessory Kit Brand New, Product # EG07097 The eMedia Guitar Accessory Kit is an additional accessory for acoustic or electric guitar players. It includes eMedia Starter Guitar Lessons CD-ROM software, eMedia Starter Guitar Lessons DVD, a guitar strap, picks, a set of strings, a string winder, polish and a cloth. eMedia Guitar Accessory Kit Features: 20 Step by Step Lessons, Animated Fretboard, Variable-Speed MIDI, Automatic Tuner, Chord Dictionary, Digital Metronome, Digital Recorder, Includes: Starter Guitar Lessons CD-ROM, Starter Guitar DVD, Guitar Strap, Guitar Picks, Guitar Polish, Cloth”

Brand New Me $11.98 2010 release from the Austin legend. Cory Morrow has been a consistent fixture on the Texas Country scene – establishing himself as a pioneer of the growth of the Lone Star State’s brand of Country music in the past decade. In the last decade Cory Morrow has sold over 200,000 albums, and has entertained audiences across the United States. Brand New Me was produced by Lloyd Maines, and recorded at Cedar Creek Studios in Austin. Its sound is anchored by the solid musicianship of Cory’s band – drummer Clint Litton, bassist Steve Cargill, keyboardist Jeff Bryant, and legendary lead guitarist John Carroll. Maines (steel guitar) and Brendon Anthony (fiddle) also added their own musical styling to the album. Performers: Drew Womack – Vocal Harmony; Kyle Park – Vocal Harmony; Lloyd Maines – Hi String Guitar (Acoustic), Cowbell, Guitar (Rhythm); Tonya Cargill – Vocal Harmony; Waylon Payne – Vocal Harmony; Brendon Anthony – Mandola, Fiddle, Mandolin; Clint Litton – Drums, Percussion; Jeff Bryant – Keyboards, Piano; John Carroll – Guitar (Rhythm), Guitar (Acoustic), Guitar (Electric); Rodney Pyeatt – Guitar (Rhythm), Guitar (Electric); Steve Cargill – Guitar (Bass)

Electric Guitar Tuner Tuning Key 002 $5.99 Description:Brand New and absolute high quality guaranteed Electric Guitar Tuner!This Guitar Tuning Key made of stainless steel, for guitar tuningSize of this Guitar Tuner:approx.40x38mmColor: silverWeight: 36g

Brand New Sin [Enhanced] $8.78 Brand New Sin’s self-titled debut is an example of everything that is right about hard rock in 2002. Brutal guitar riffs injected with lethal doses of blues, gritty vocal hooks, and thunderous drum beats abound on this album, as Brand New Sin goes to great lengths to prove that rock is not dead and is in store for a solid kick in the caboose. Mixing equal parts Guns N’ Roses, Pantera, and Zakk Wylde’s Black Label Society, these six men churn out thick blasts of molten heaviness that tread the thine line between intense hard rock and the dirtiest Southern metal imaginable. It is surprising how refreshing Brand New Sin’s music is, considering hard rock is not a new trend. Yet while the 12 songs presented aren’t the most innovative, they bridge the gap between rockers of yesteryear such as Lynyrd Skynyrd and Black Sabbath with the more modern swamp rock of Down and C.O.C., scoring with a collection of songs that should appeal to any fan of hard rock, young and old alike. Frontman Joe Altier’s prominent vocals are infectious yet grimy all at once, swerving past the pitfalls of hitting melodic notes and delivering in-your-face mosh pit-inducing rock at its finest. The triple guitar onslaught is an amazing feat, yet never does Brand New Sin sound cluttered or overbearing with the surging riffs. The group features former members of Godbelow, who also managed to make quite a buzz during their time together, yet these six men have found themselves a new haven of heaviness in Brand New Sin, and have accomplished what some may think impossible, offering an album of crunchy guitar rock that is capable of remaining relevant amidst the hip-hop/metal and self-loathing of the nu-metal scene. [The Enhanced Edition includes bonus video material on CD-ROM.] ~ Jason D. Taylor, Rovi Performers: Lou Segreti – Organ (Hammond); Chuck Kahl – Bass; Joe Altier – Vocals; Kevin Dean – Drums; Kris Wiechmann – Vocals (Background), Guitar; Mike Rafferty – Drums

MusicSkins MSKILL10028 Rock Band Wireless Guitar Kill Brand Doodles Skin $27.68 MusicSkins LLC is the industry leader in music fashion art television and pop culture premium quality vinyl skins. We envision all iPods mobile phones PDAs gaming devices laptops iPads cameras hard drives ereaders and other personal electronics as portable canvases for style and individuality. Our focus on pop culture and personalization has created a stylish way for bands brands artists TV shows DJs models charities and media outlets to become closer to their fans while providing protection and an alternative to bulky cases. The popularity of so many diverse images in our skins catalog from The Beatles to Taylor Swift Domo to Ed Hardy Adult Swim to Find The Cure Clothing and everything in between has separated MusicSkins as the source for the coolest skins on the planet. Our durable skins are Made in the USA from premium 3M vinyl which will defend your device from the harshest scratches. The special adhesive is completely removable and leaves no residue so you can easily switch your MusicSkins for the latest release. MusicSkins add almost zero bulk so your device will still integrate perfectly with almost all case bag dock iTrip or armband. MusicSkins are the highest quality skin product on the market. Produced using a patented 3M Controltac vinyl with air release technology combined with a protective Oracle gloss overlaminate. The premium 3M vinyl material allows consumers to apply and remove their skin without any residue or air bubbles. The protective Oracle over laminate protects the skin from wear while also adding an additional protective layer for the device. Music Skins MSKILL10028 Rock Band Wireless Guitar Kill Brand Doodles Skin

MusicSkins MSBN10028 Rock Band Wireless Guitar Brand Nubian Foundation Skin $27.68 MusicSkins LLC is the industry leader in music fashion art television and pop culture premium quality vinyl skins. We envision all iPods mobile phones PDAs gaming devices laptops iPads cameras hard drives ereaders and other personal electronics as portable canvases for style and individuality. Our focus on pop culture and personalization has created a stylish way for bands brands artists TV shows DJs models charities and media outlets to become closer to their fans while providing protection and an alternative to bulky cases. The popularity of so many diverse images in our skins catalog from The Beatles to Taylor Swift Domo to Ed Hardy Adult Swim to Find The Cure Clothing and everything in between has separated MusicSkins as the source for the coolest skins on the planet. Our durable skins are Made in the USA from premium 3M vinyl which will defend your device from the harshest scratches. The special adhesive is completely removable and leaves no residue so you can easily switch your MusicSkins for the latest release. MusicSkins add almost zero bulk so your device will still integrate perfectly with almost all case bag dock iTrip or armband. MusicSkins are the highest quality skin product on the market. Produced using a patented 3M Controltac vinyl with air release technology combined with a protective Oracle gloss overlaminate. The premium 3M vinyl material allows consumers to apply and remove their skin without any residue or air bubbles. The protective Oracle over laminate protects the skin from wear while also adding an additional protective layer for the device. Music Skins MSBN10028 Rock Band Wireless Guitar Brand Nubian Foundation Skin

Brand New Year $10.38 The ’90s turned out to be a little tough for the Bottle Rockets. Upon the release of its eponymous debut in 1993, the Missouri quartet was almost universally hailed as one of the leaders of the post-Uncle Tupelo Americana movement, but the band lost momentum when trying to make it in the big leagues. It wasn’t for lack of trying. They labored over their official Atlantic debut, 24 Hours a Day, but when they were touring the album, the label pulled their support, leaving them to flounder. The Rockets regrouped and released a collection of outtakes, Leftovers, the following year, as they decided what to do next. Wisely, they seized an opportunity for a fresh start, which is what Brand New Year, their first studio album for Doolittle Records, is. They’ve decided to emphasize their roots as a bar band, cutting away their country tendencies and playing up their fondness for ’70s hard rock. The twist is, Rockets leader Brian Henneman tries to inject some intelligence and self-aware humor into the lyrics. At times, it works, but it’s just as frequently awkward or self-conscious, especially since it seems that the words have taken precedence over hooks or melodies. Even so, there’s a sense of songwriterly craft, if not actual songs, that is welcome, and it’s made all the more engaging by the earthy performances by what is, after all, a really good bar band. There’s no question that Brand New Year is a proudly Luddite record, celebrating the virtues of loud guitars and living without computers (see “Helpless,” as in “how come I don’t feel helpless”), which naturally makes it feel like an album out of time, but that is its redeeming virtue — it might not have the hooks of a classic rock album, but it’s a good, solid slice of organic hard rock. ~ Stephen Thomas Erlewine, Rovi Performers: Eric Ambel – Dulcitone, Wah Wah Guitar, Shaker, Slide Guitar, Guitar (12 String), Vocals, Guitar (Baritone), Guitar, Organ; Brian Henneman – Guitar (12 String), Vocals, Guitar, Guitar (Acoustic); Jim Duffy – Organ; Mark Ortmann – Tambourine, Drums; Mary Lee – Vocals; Paul Ebersold – Organ; Robert Kearns – Fretless Bass, Mandolin, Bass, Vocals; Tom Parr – Spoken Word, Guitar (Acoustic), Guitar

Barley: Corn Brand Originals $12.78 Barley–Corn Brand Originals serve up genial if uninspired Americana sounds on their eponymously-titled debut LP. ~ Jason Ankeny, Rovi Performers: Andrew Kastner – Horn; Bill Bergman – Horn, Saxophone, Keyboards; Jimmy Powers – Harmonica; John Paruolo – Horn; Les Lovitt – Horn; Greg Beck – Guitar; Gregg Arreguin – Guitar; Mark Warner – Guitar

Brand New Strings $10.38 It should come as no surprise to fans of Ricky Skaggs that the level of musicianship within his band Kentucky Thunder is superb. Even at their worst, they skim the surface of maximum quality, but what is so exciting about Ricky Skaggs & Kentucky Thunder is their ability to balance on the frayed edges of classic and progressive bluegrass. Brand New Strings shows this off very well, forsaking neither, and is an excellent example of a group whose members are both technically fantastic and capable of emotionally exploiting their talents, a rare commodity in modern bluegrass. The first of Skaggs’ four songwriting contributions, the instrumental “I Corinthians 1:18,” is a perfect example of the more forward-thinking side of the group, while the title track is where the group completely cuts loose with ridiculously amazing picking and fiddling. Skaggs even broke the traditional bluegrass barrier by employing accordionist Tim Laure on “Love Does It Every Time,” a nice melodic country-folk tune, if a little heavy-handed lyrically. Ultimately, Brand New Strings is an excellent outing for Ricky Skaggs & Kentucky Thunder, and shows the band pulling bluegrass another small step further from its shelter into adventure. ~ Gregory McIntosh, Rovi Performers: Ricky Skaggs – Papoose, Hi String Guitar (Acoustic), Claw Hammer Banjo, Gut String Guitar, Vocal Harmony, Harmony Vocals, Mandolin, Guitar; Andy Leftwich – Mandolin; Cody Kilby – Guitar (Rhythm), Banjo, Guitar; Darrin Vincent – Vocal Harmony, Harmony Vocals; Jeff Taylor – Accordion; Jim Mills – Banjo; Keith Sewell – Vocal Harmony, Harmony Vocals; Molly Skaggs – Dulcimer;

Brand New Dance $12.79 In 1990, Emmylou Harris’ run of superb mid-’70s albums was over, and she hadn’t yet assembled the Nash Ramblers, the acoustic band that gave her music a heady kick-start prior to her first striking collaboration with Daniel Lanois, Wrecking Ball. As a result, Brand New Dance captures Harris at the end of one cycle and just before the start of another, and the material and production suggest Harris was ready for some changes. Emmylou Harris probably couldn’t make a truly bad album if she tried, and as always, she’s in lovely voice on Brand New Dance, but she doesn’t always sound especially engaged with the material, most of which falls into the “good-but-not-great” category (notable exceptions — a strong cover of Bruce Springsteen’s “Tougher Than the Rest” and the title cut). In addition, producer Allen Reynolds puts a shade too much pop-friendly gloss on the arrangements and mix for several of these tunes, and despite the presence of a truly impressive team of accompanists, this album never quite catches fire as in Harris’ best work. Brand New Dance is a strong and professional piece of work, but Harris’ next few albums would remind fans she was capable of a lot more than that. ~ Mark Deming, Rovi Performers: Jo-El Sonnier – French Accordian, Triangle; Davy Spillane – Uillean Pipes, Whistle (Human); Liam O’Flynn – Whistle (Human), Uillean Pipes; Richard Bennett – 6-String Bass, Tambourine, Mandolin, Guitar (Electric), Guitar (Acoustic), Guitar, Bass; Barry Tashian – Vocal Harmony, Harmony Vocals; Carl Gorodetzky – Strings; Cindy Reynolds Wyatt – Harp; Claire Lynch – Vocal Harmony,

Basic Guitar Method $11.98 The Basic Guitar Method is a brand new way to learn guitar. You’ll learn the basics from how to read music and TAB, to playing fretted notes and strumming chords, all with the help of the life-size guitar neck cutouts that show you where to place your fingers. The Guitar Deck Method makes learning a real ‘hands-on’ experience. It shows you how to master a whole set of new skills with its ingenious swivel pack design that literally puts a wealth of guitar information right at your fingertips The ideal gift for the beginning guitarist

A Brand You Can Trust $13.58 Never let it be said that Everlast doesn’t know how to keep folks guessing. First, he started out as a solo rapper with his debut album, Forever Everlasting. Then, he became a much bigger name in hip-hop after forming House of Pain with Danny Boy and DJ Lethal in 1992. And after House of Pain’s breakup, Everlast resumed his solo career with 1998′s introspective Whitey Ford Sings the Blues, an exceptional album that found him both singing and rapping and exploring everything from folk-rock to Memphis soul to metal (as a singer, Everlast sounds a bit like Gil Scott-Heron). More solo albums followed, none of which were strictly hip-hop. That brings us to La Coka Nostra, a hardcore rap group that reunites Everlast with Danny Boy and Lethal, and also includes Slaine (of Boston’s Special Teamz) and Ill Bill (of Non Phixion fame). Unfortunately, there have been many examples of all-star groups failing to live up to their hype, but La Coka Nostra excel on A Brand You Can Trust. It stands to reason that an outfit that includes all three of House of Pain’s ex-members would have a strong House of Pain influence, although this 2009 release isn’t an exact replica of that popular ’90s group. Actually, the approach on A Brand You Can Trust is probably best described as House of Pain by way of Cypress Hill, with a rock influence at times and occasional hints of Everlast’s post-Pain solo output — and one of the appealing things about this CD is the way it has both a sociopolitical conscience and a sense of raucous fun. House of Pain’s boisterous, in-your-face attitude (as well as their cleverness) is alive and well throughout this album, but some discussion of social and/or political issues finds its way to “Nuclear Medicinemen,” “The Stain,” “Soldier’s Story,” and a few other tracks. A Brand You Can Trust doesn’t have as consistently serious and contemplative a tone as Everlast’s eclectic solo efforts of the late ’90s and 2000s — overall, this album is more concerned with having some raucous fun than it is with trying to save the world — although that sociopolitical element is still an attractive side dish. No one who has spent a lot of time listening to House of Pain or Cypress Hill will find A Brand You Can Trust to be groundbreaking, but this is an exciting listen nonetheless. A Brand You Can Trust is one all-star album that doesn’t disappoint. ~ Alex Henderson, Rovi Performers: DJ Lethal – Scratching; Baby Jesus – Guitar (Bass); Erik “Baby Jesus” Coomes – Guitar (Bass); Russell Ali – Guitar

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Brand New Towns $11.19 Following the same path he took in his 2005 album Etherville, on Brand New Towns Robert Gomez plays shimmery, melancholy indie pop songs that speak of love found and love lost, layering his vocals delicately over acoustic guitar and piano, strings and brass, melodica and organ. But despite all of this, Gomez’s music is anything but ornate; it’s chamber pop played in the Texas plains, without pretension or excess adornment. In fact, it’s the sparseness of it all that comes across more than the gloomy cello or plinking keyboards, echoing through his soft voice and intimate lyrics. He’s definitely taken a clue from Elliott Smith, double-tracking his vocals into the sad but slightly threatening melodies that the late singer did so well. “You’re so perfect without me,” he whispers in the lovely, neo-Baroque “Perfect,” with bittersweet piano and French horn weaving around behind, gently building up and then coming away, only a hesitant accordion backing him as he mumbles “I still remember the time we ran away,” the longing and the regret almost more audible than the words themselves. Unlike Smith, however, Gomez also writes happier songs, where people are content and in love, or at least have the possibility of arriving there. Both “The Leaving” and “Into the Sun” are optimistic and poppy, and even the opener, “Closer Still,” while not exactly jubilant, offers the hope that one day the two characters will be together. He’s a consistently strong writer, focusing on structure and space, not overloading his songs with needless ornamentation. This means that even the tracks that settle comfortably into the background (“You Need Somebody,” “Back to Me”) are welcomed, enhancing the overall feel of the record, giving it substance and foundation, and the one piece that moves out of the first person singular and comments on society, “Brand New Towns,” is excellent, enticing in its dark, rolling guitar arpeggios and sloping bassline. A mature step forward for Gomez, Brand New Towns is a more developed and intricate piece of work that shows off his musicianship, sense of subtlety, and supreme attention to craft, and is an impressive accomplishment. ~ Marisa Brown, Rovi Performers: David Pierce – French Horn, Tuba, Trombone; Jesse Chandler – Mini Moog, Melodica, Organ, Piano (Electric); Paul Slavens – Accordion; Eric Pulido – Vocals; Rob Avsharian – Tambourine, Drums; Robert Gomez – Bass Pedals, Lap Steel Guitar, Tambourine, Bass, Guitar, Piano, Vocals, Keyboards;

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BLUES BAND: ITCHY FEET/BRAND LOYALTY $18.67 2 LPs on 1 CD: ITCHY FEET (1981)/BRAND LOYALTY (1982).The Blues Band: Dave Kelly (vocals, slide guitar); Paul Jones (vocals, harmonica); Tom McGuinness (guitar, background vocals); Gary Fletcher (bass, background vocals); Hughie Flint, Rob Townsend (drums).

Brand New Beginning $15.98 Performers: Jack Quest – Keyboards; Lenny Rankins – Bass, Keyboards, Guitar

Brand New Age $15.56 For their second album, Brand New Age, the U.K. Subs built on the frenzied, melodic assault of their debut by developing their songwriting skills. Brand New Age contains tracks that are more ambitious than those on the debut, with more variety and lyrical depth. Rather than the amusing teen angst rants of the debut, this album shows the Subs embracing a more political point of view. “Warhead” is a seething diatribe on nuclear war, delivered with the venom and ferocity such a topic deserves. “Organised Crime” rants about government oppression, and “Brand New Age” delivers a less than optimistic slant on the forthcoming privacy intrusions of the 1980s. There’s no shortage of droll humor, though, with the hilarious “Teenage” and “Emotional Blackmail,” the closest the Subs have come to a song about relationships. Musically, the band have grown as well. “Warhead” has a more complex song structure than anything they did before, and “You Can’t Take It Anymore” proves the band doesn’t have to rely on simple velocity to get their point across. Far from falling prey to the sophomore slump, the U.K. Subs came of age on this album and proved they were one of the best, most promising acts of their era. ~ Victor W. Valdivia, Rovi Performers: Charlie Harper – Harmonica, Vocals; Nicky Garratt – Guitar; Paul Slack – Bass; Pete Davies – Drums; Steve Slack – Bass

Lucky Brand Women’s Silvertone Dangle Charm Watch $88 What a charmer. Part charm bracelet, part watch, this silvertone jewelry piece is decorated with a VW Beetle, flower, guitar, peace sign, and watch charm for an ultra-cool take on your typical timepiece. From Lucky Brand.

Brand New Blues $12.78 The youngest Neville Brother he may be, but Cyril Neville’s accomplishments are as impressive as those of his older siblings. He played with his brother Aaron in various soul and funk outfits before joining the Meters full-time in the early ’70s, and was one of the prime movers in getting his brothers together as the Neville Brothers. His discography is just as eclectic as the rest of the family’s; he’s played percussion and keyboards on records by Bob Dylan, Robbie Robertson, Edie Brickell, Willie Nelson, Los Hombres Calientes, and dozens of others. On Brand New Blues, his fourth solo outing, he teams up with Brooklyn, NY based producer and multi-instrumentalist Brian J., leader of the Pimps of Joytime, a band that is as indebted to the groove as Cyriland his brothers are. With members of his extended family along, Cyril lays down ten tracks that prove his New Orleans soul is intact, even though he’s lived in Austin since escaping the devastation of Katrina. In fact, the aftermath of the hurricane creeps into most of the original tunes here. On the title track, Neville lays down some Al Green-style Memphis fonk to implicitly address the “brand new blues” that the hurricane delivered. Brian J.’s nasty guitar complements Neville’s growling vocal. “Cheatin’ and Lyin’” is a spooky, swampy meditation on the indifference of the powers that be, from the “White House on down” as Neville sings. The song closes with a gospel-infused chant to the freedom the city still searches for. “Mean Boss Blues” features Tab Benoit’s gritty guitar, an angry vocal from Neville, and darkly humorous lyrics that portray the aftermath of the storm through the eyes of a man trying his best to make ends meet in a town with no jobs, electricity, or decent housing. Benoit lays down an raw, aggressive solo befitting the situation. But all is not lost. “Shake Your Gumbo” pays tribute to the city’s resilience with a percussion-heavy track that simmers like the thick, hearty dish of its title. Neville also tackles a few tasty covers: “I Found Joy,” the album opener, is a N’awlins revamp of a Jimmy Reed tune delivered as a jubilant strut. “Blue, Blue Water,” another Reed number, is given a stark reading, with just Neville’s vocals, Johnny Sansone’s harp, and Andy Cotton’s bass. Brook Benton’s “I’ll Take Care of You” has an old-time ’50s R&B flavor, with Art Neville on B-3, some shimmering fills from Brian J.’s guitar, and a melisma-drenched vocal from Cyril. The album closes with an extended version of Bob Marley’s “Slave Driver” with brother Art on organ. It’s cut as a slow blues, not a reggae tune, and explicitly addresses both the historical pains of slavery and the modern-day dilemma of post-Katrina New Orleans. Cyril writes new lyrics that indict the powers that be for their callous disregard of the city’s African American population. ~ j. poet, Rovi Performers: Waylon Thibodeaux – Was

Brand New Eyes $15.18 With 2007′s Riot!, Paramore proved that pop hooks and a killer set of pipes can still vault a band to platinum status, economic downturn be damned. Success comes with a price, though, and Paramore struggled as media outlets reserved most of their coverage for Hayley Williams, deemed by many to be the group’s leader. Rather than calling it quits, the musicians sought therapy in the studio, where tales of self-doubt and frustration were captured on tape by mega-producer Rob Cavallo. The anthemic, celebratory songs that made Riot! so appealing were largely absent, but the band found a new way to rock during those sessions, prizing catharsis and nuanced arrangements above the hooks of albums past. Released in late 2009, Brand New Eyes presents Paramore as a stronger, leaner, and altogether more consistent band. “Careful” and “Ignorance” are two of the group’s most aggressive tunes to date, and the rest of the disc follows suit, with the guitar interplay of Josh Farro and Taylor York (who makes his studio debut here, having joined the lineup after Riot! was recorded) receiving much of the spotlight. Drummer Zac Farro anchors the band with a flurry of snare hits and cymbal crashes, but the true MVP is none other than Ms. Williams, who sings with all the gusto of an angsty, 21st century Ann Wilson. She’s fun, fiery, and altogether fantastic, a pint-sized powerhouse who attacks everyone from holier-than-thou naysayers (“Playing God”) to egocentric space cadets (“Brick by Boring Brick”). Williams also tones down the sonic assault whenever it’s appropriate, offering a beautifully understated vocal during the album’s centerpiece ballad, “The Only Exception,” and championing the band’s longevity during songs like “Where the Lines Overlap” and “Looking Up.” “God knows the world doesn’t need another band,” she sings during the latter track, “but what a waste it would have been…I can’t believe we almost hung it up. We’re just getting started.” Riot! explored similar thoughts with its closing track, “Born for This,” but “Looking Up” is made all the more convincing by the band’s recent turmoil. Accordingly, Brand New Eyes is the band’s most credible album to date, a blend of melody and muscle that packs a punch in spite of its tumultuous origin. ~ Andrew Leahey, Rovi Performers: Hayley Williams – Vocals; Jamie Muhoberac – Keyboards, Organ; Josh Farro – Guitar; Taylor York – Guitar; Zac Farro – Drums

Macrocosm: Introducing…Brand X $10.39 This 13-track budget-priced compilation of Brand X’s 1977-1980 period is a decent appetite whetter, featuring four tracks from Moroccan Roll, two from Livestock, “Black Moon” from Masques (there should have been more from this album), three from Product, two from Unorthodox Behaviour, and one from Do They Hurt? Fans gain nothing by having this, except another sexually suggestive sleeve image by Hipnosis. But then, this isn’t for fans; it is an introduction to the band for the uninitiated — but who is gonna even care at this stage of the game if you don’t already know? Brand X was a studio band comprised of John Goodsall, Percy Jones, Robin Lumley, Morris Pert, and, for the most part, Phil Collins. They played killer, exotic jazz-rock that had soul as well as chops and could be tremendously funky when they wanted to be, as “Hate Zone” from Moroccan Roll attests. Thankfully, whoever compiled this (uncredited) was certain to include tracks like “Nuclear Burn,” the live version of “Euthanasia Waltz,” “Macrocosm,” and all of the best. But, focusing as it does on five albums, the selection, while more than adequately representative, feels skimpy, and that’s perhaps because Brand X was an album-oriented band, each one having a little different pace and a little different texture, with emphasis on certain aspects of the band’s multi-layered approach to playing and recording. There are decent if workmanlike liner notes here, and the sonics are well-done in remastered form. So if jazz-rock is your thing and you’ve been living under a rock and happen to be looking for something you’ve never heard from the mid- to late ’70s, this is for you. ~ Thom Jurek, Rovi Performers: Peter Manning Robinson – Keyboard Accordian; John Giblin – Bass; John Goodsall – Guitar; Mike Clarke – Drums; Morris Pert – Percussion; Percy Jones – Bass; Phil Collins – Sitar, Vocals, Drums; Robin Lumley – Keyboards

Brand New Knife [Europe] $11.19 English language version of 1996 album with 13 tracks. MCA. Performers: Atsuko Yamano – Drums, Percussion, Vocals; Michie Nakatani – Bass, Vocals; Naoko Yamano – Mellotron, Guitar, Vocals

Brand New by Tomorrow $10.38 Money Mark was due for a vocal album after the instrumental Change Is Coming, and he was long due for any kind of release, considering it had been five and a half years since that record. So, praise is due to Jack Johnson for green-lighting the recording of Brand New by Tomorrow on his Brushfire label after he heard some early demos. (The two share a friend and producer in Mario Caldato, Jr.) Although Johnson and Money Mark don’t seem to have much in common on the surface, their laid-back approach to the music of the ’70s is similar — be it singer/songwriter pop or funk — and their one collaboration here, “Pick Up the Pieces,” is a happy marriage. (Fortunately, Johnson’s help is limited to the songwriting.) Elsewhere, Mark is just as spot-on with his songwriting and his gadgety one-man-band playing, although the vocals take more of the limelight than on past records. (Apparently, the drums on the early demos were a little harder before Caldato produced a mix that had, as Mark put it, “more wrist and less forearm.”) He’s only improved as a vocalist, often double-tracking his vocals for ghostly harmony, and keeping his instrumental prowess to just a few tricks per song. Mark described this as a post-9/11 record (Change Is Coming was released in early September 2001), and there are elements of sadness or melancholia to songs like “Everyday I Die a Little,” “Summer Blue,” and “Color of Your Blues,” but Mark’s laid-back stride keeps the affair surprisingly buoyant. ~ John Bush, Rovi Performers: Carol Kaye – Bass (Electric); G. Love – Harmonica; Ryan Feves – Bass (Upright); Seth “Slim” Zwerling – French Horn; Danny Frankel – Drums; Jim Keltner – Drums; Pedro Yanowitz – Drums; Woody Jackson – Lap Steel Guitar, Guitar

The Van Morrison Guitar Songbook- Guitar Tablature $18.98 Learn 17 of Grammy Award-winner Van Morrison’s classic songs now. From well-known hits like "Brown Eyed Girl" to "Moondance" to "Wild Night," the Van Morrison Guitar Songbook features 17 of his best songs faithfully transcribed in full guitar TAB. Titles: And It Stoned Me * Blue Money * Brown Eyed Girl * Brand New Day * Caravan * Crazy Love * Come Running * Domino * Into the Mystic * Jackie Wilson Said (I’m in Heaven When You Smile) * Moondance * Sweet Thing * Tupelo Honey * Warm Love * Wild Night * Wonderful Remark.

Chuck Jeffster Guitar Pic $3.97 If you watch Chuck, there’s a good fan you’ve called your local radio station to request some Jeffster. This Jeffster guitar pick might be the closest you come to ever seeing Jeff Barnes and Lester Patel bring their patent brand of rock to the stage. So support your favorite fictional band and shred some top secret axe of your own with the Jeffster guitar pick.